Bob Ostin’s Clip decova, 6 July 2017 Recently, Bob Ostin’s venerable switching device received an update and was revamped by a prominent magic factory. I am a big fan of Bob’s gimmick and have been using it for a few decades now, switching in and out various items, from billets to bills to folded cards. An excellent gimmick. My contribution here is to offer some food for thought concerning the actual switch. The main problem is that there must be a reason to have the folded billet (or card or whatever) in this clip. Just removing the clip with the billet inside from the pocket and putting it onto the table doesn’t make too much sense to me. Why would I not simply place the folded billet onto the table? I do have some ‘work-arounds’ to that problem, which I want to share with you here. Keep in mind that these work only when they are incorporated into a well constructed routine. The first concept which takes some heat off the actual switch is to introduce additional objects (along with the dummy billet) into the clip. The clip therefore serves the purpose of holding together various articles (folded cards, bills, business cards, the dummy, etc.) and is justified. The picture shows such a set-up. The second concept is that the purpose of the clip is to hold the object (in that case the billet) in a position, which couldn’t be achieved by any other means. Some clever minds already thought of the notion of attaching the clip to a piece of string, which in turn is fastened to the inside of the lid of a glass jar. So the prediction billet could be displayed completely isolated, hinging inside the glass jar. This is a classical set-up for Bob Ostin’s clip and makes for a convincing and attractive display in mentalism, where optical assets usually are rare. Once I took a bigger clip, prepared it the Ostin way and fixed it to a clipboard. This makes some sense and doesn’t hamper the functionality of the switching gimmick. In that case, I had some other objects clipped into the clip, the dummy being the top one. The whole thing looked as if all the articles I needed were merely held together by a simple clipboard. I am sure you know that plexiglass board with the four bulldog clips attached. This is used to accomplish the one-ahead-principle by turning the board and thereby changing the positions the clips. One (or more) Ostin clips could be fastened to it. I have never started experimenting with this concept so far, but I can imagine there should be some possibilities. In my upcoming book ‘NOTAS’ I will explain a neat handling for the switch. The whole bunch of objects is removed from the clip and laid onto the table in one sweeping movement. This way, the heat is completely taken off the clip and focus is shifted in a natural way towards the actual objects. It is important to remember that the other objects must have some importance in the routine as well. So there could be a prediction in form of a folded playing card, there could be written something on the bills, or even the bill’s serial number(s) could play an active role in the routine. Another idea would be to apparently introduce the folded billet into the clip in front of the audience. This would happen before the routine starts. To accomplish this, I created a low-tech solution. There is a catgut loop fixed to the dummy billet. This could also be a thin, blackened wire. When the dummy is inside the clip, the loop can be easily grabbed and the dummy pulled into position. So you show another dummy onto which you have written the prediction and pretend to place it into the clip, putting the dummy into position. You are ready to go. Obviously, depending on the strength and visibility of the catgut loop, this is only for stage shows and not for close-up. This is a nice way to construct a routine using three billets and working on the one-ahead-principle, mimicking the Hen Fetch ‘Mental Epic Slate’. In that case, colored billets could be a fine and subtle addition. Work out a routine for yourself. Pass it on! agenda-en
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